COMPOSED BY

Léo Delibes (Feb 1836 - Jan 1891)

COMPOSED IN

1870

DURATION

90 minutes

INSTRUMENTATION

Harp, Strings, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 valved cornets, 2 trumpets, 3 trombones, 1 tuba and Percussion

SUMMARY

Coppélia is a comic ballet choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter’s libretto and mise-en-scène was based on two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman).
Nutcracker

ABOUT THE COMPOSITION

Act 1: The story begins during a town festival to celebrate the arrival of a new bell. The town crier announces that anyone who becomes married will be awarded a special gift of money when the bell arrives. Swanilda and Franz plan to marry during the festival. However, Swanilda becomes unhappy with Franz because he seems to be paying more attention to a girl named Coppélia, who sits motionless on the balcony of a nearby house. The house belongs to Doctor Coppélius, a mysterious and faintly diabolical inventor. Although Coppélia spends all of her time sitting motionless and reading, Franz is mesmerized by her beauty and determined to attract her attention. Swanilda shakes an ear of wheat to her head: she will know that Franz loves her if it rattles. However, she hears nothing. When she shakes it by Franz’s head, he also hears nothing, but then he tells her that it rattles. Heartbroken, she runs away in disbelief.

Later on, Dr. Coppelius leaves his house and is heckled by a group of boys. After shooing them away, he accidentally drops his keys in the melée. Swanilda finds the keys and she wants to learn more about Coppélia. She and her friends decide to enter Dr. Coppelius’ house, while Franz climbs up a ladder to Coppélia’s balcony to meet her.

Act 2: Swanilda and her friends find themselves in a huge room filled with motionless people, whom the girls later discover as life-size mechanical dolls, rather than people. They quickly wind them up and watch them move. Swanilda also finds Coppélia behind a curtain and discovers that she, too, is a doll.

Dr. Coppelius returns home to find the girls. He becomes angry with them for trespassing and disturbing his workroom. He kicks them out and begins cleaning up the mess while, unbeknownst to him, Swanilda remains hidden behind a curtain. However, upon noticing Franz at the window, Coppélius invites him in. The inventor wants to bring Coppélia to life but a human sacrifice is needed. With a magic spell, he will take Franz’s spirit and transfer it to Coppélia. After Dr. Coppelius proffers him some wine laced with sleeping powder, Franz begins to fall asleep. The inventor then prepares his magic spell.

Swanilda, who remains hidden behind the curtain, dresses up in Coppélia’s clothes and pretends that the doll has come to life. She wakes Franz and winds up all the mechanical dolls to aid their escape. Dr. Coppelius becomes confused and then saddened when he finds a lifeless Coppélia behind the curtain.

Act 3: Dr. Coppelius shows up furiously when Swanilda and Franz are about to make their wedding vows. Dismayed at having caused such an upset, Swanilda offers Dr. Coppelius her dowry in return for his forgiveness. Franz tells Swanilda to keep her dowry and offers to pay Dr. Coppelius instead. At that point, the mayor intervenes and gives Dr. Coppelius a bag of money, which placates him. Swanilda and Franz are married and the entire town celebrates by dancing.

5 FUN FACTS ABOUT THE COMPOSER

Leo Delibes
  • Delibes was raised in a musical family. His mother was a talented amateur musician, the daughter of an opera singer and niece of the organist Édouard Batiste.
  • Delibes was a chorister at the church of La Madeleine and sang in the premiere of Meyerbeer’s Le prophète at the Paris Opéra in 1849.
  • Other than composing, Delibes earned a living as a critic, inspector of school music, accompanist and chorus master at the Opéra.
  • Delibes enrolled at France’s foremost music academy, the Conservatoire de Paris, when he was only twelve, studying under several professors including Adolphe Adam.
  • While still a young student, Delibes became organist of St. Pierre de Chaillot and accompanist at the Théâtre Lyrique.

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